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Composer of the Week

Gustav Mahler (1860 - 1911)

A symphony must be like the world. It must embrace everything.

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"Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection." — Alban Berg

"I'm a revolutionary, money means nothing to me." — Frédéric Chopin

"Music is, by its very nature, essentially powerless to express anything at all." — Igor Stravinsky

"Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend." — Ludwig van Beethoven

"Music is enough for a life -- but a life is too short for music." — Richard Strauss

Trivia - Did you know that...

... Gioacchino Rossini wrote his comic opera The Italian Girl in Algiers in less than three weeks ?

... the shortest opera is Darius Milhaud’s The Deliverance of Theseus, which lasts only 7 minutes ?

... the piece 4'33" by John Cage is made up entirely of silence from the performer ?

... Karlheinz Stockhausen's Helikopter-Streichquartett is played by a string quartet and four helicopters ?

... Georg Philipp Telemann is considered the most prolific composer ever, with more than 3000 works registered ?

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Gustav Mahler

2008-09-28T16:24:00.000+03:00

Home ► Composers ► M ► Mahler ► Overview

Overview

A symphony must be like the world. It must embrace everything.

Mahler was best known during his own lifetime as one of the leading orchestral and operatic conductors of the day. He has since come to be acknowledged as among the most important late-romantic composers, although his music was never completely accepted by the musical establishment of Vienna while he was still alive. Mahler composed primarily symphonies and songs; however, his approach to genre often blurred the lines between orchestral Lied, symphony, and symphonic poem.

Ludwig van Beethoven

2008-09-26T09:02:00.000+03:00

Home ► Composers ► B ► Beethoven ► Biography

Biography

Early life and talent

Beethoven's parents were Johann van Beethoven (1740 in Bonn–1792) and Maria Magdalena Keverich (1744 in Ehrenbreitstein–1787). Magdalena's father Johann Heinrich Keverich had been Chef at the court of the Archbishopric of Trier at Festung Ehrenbreitstein fortress opposite to Koblenz.^[2] Beethoven was, like their first child Ludwig Maria, named after his grandfather Ludwig (1712–1773), a musician of Roman Catholic Flemish ancestry who was at one time Kapellmeister at the court of Clemens August of Bavaria, the Prince-Archbishop-Elector of Cologne, and who married Beethoven's grandmother Maria Josepha Ball (1714–1775) in 1733.

Beethoven was born in Bonn, Electorate of Cologne, in 1770. Of the seven children born to Johann Beethoven, himself the only survivor of three, only second-born Ludwig and two younger brothers survived infancy. Beethoven was baptized on 17 December 1770.^[3]^[4] Although his birth date is not known for certain, his family celebrated his birthday on 16 December.

Beethoven's first music teacher was his father, who was a tenor in the service of the Electoral court at Bonn. He was reportedly a harsh instructor. Johann later engaged a friend, Tobias Pfeiffer, to preside over his son's musical training, and it is said Johann and his friend would at times come home late from a night of drinking to pull young Ludwig out of bed to practice until morning. Beethoven's talent was recognized at a very early age, and by 1778 he was studying the organ and viola in addition to the piano. His most important teacher in Bonn was Christian Gottlob Neefe,^[5] who was the Court's Organist. Neefe helped Beethoven publish his first composition: a set of keyboard variations.

The young Beethoven's talent was spotted in Bonn by Count Ferdinand Ernst Gabriel von Waldstein, who became one of his early patrons and, in 1787, enabled him to travel to Vienna for the first time, in hopes of studying with Wolfgang Amadeus Mozart. It is not clear whether he succeeded in meeting Mozart or, if he did, whether Mozart was willing to accept him as a pupil; see Mozart and Beethoven. In any event, the declining health of Beethoven's mother, dying of tuberculosis, forced him to return home after only about two weeks in Vienna. Beethoven's mother died on 17 July 1787, when Beethoven was 16.^[6]

Due to his father's worsening alcohol addiction, Beethoven became responsible for raising his two younger brothers.

The move to Vienna

In 1792, Beethoven moved to Vienna, where he studied for a time with Joseph Haydn: his hopes of studying with Mozart had been shattered by Mozart's death the previous year. Beethoven received additional instruction from Johann Georg Albrechtsberger (Vienna's pre-eminent counterpoint instructor) and Antonio Salieri. By 1793, Beethoven established a reputation in Vienna as a piano virtuoso.^[7] His first works with opus numbers, a set of three piano trios, appeared in 1795. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he supported himself through a combination of annual stipends or single gifts from members of the aristocracy; income from subscription concerts, concerts, and lessons; and proceeds from sales of his works.

Beethoven’s patrons loved his music but were not quick to support him. He eventually came to rely more on patrons such as Count Franz Joseph Kinsky, (d. 1811), Prince Joseph Franz Maximilian Lobkowitz (1772–1816) and Karl Alois Johann-Nepomuk Vinzenz, Fürst Lichnowsky, and as these patrons died or reneged on their pledges, Beethoven fell into debt. In 1807, Prince Lobkowitz advised Beethoven to apply for the position of composer of the Imperial Theatres, but the nobility who had newly been placed in charge of the post did not respond. Beethoven considered leaving Vienna: in the fall of 1808, he was offered a position as chapel maestro at the court of Jerome Bonaparte, the king of Westphalia, which he accepted. To persuade him to stay in Vienna, the Archduke Rudolf, Count Kinsky and Prince Lobkowitz, after receiving representations from the composer’s friends, pledged to pay Beethoven a pension of 4000 florins a year. Only Archduke Rudolf paid his share of the pension on the agreed date. Kinsky, immediately called to duty as an officer, did not contribute and soon died after falling from his horse. Lobkowitz stopped paying in September 1811. No successors came forward to continue the patronage, and Beethoven relied mostly on selling composition rights and a smaller pension after 1815.

Loss of hearing

Around 1796, Beethoven began to lose his hearing.^[8] He suffered a severe form of tinnitus, a "ringing" in his ears that made it hard for him to perceive and appreciate music; he also avoided conversation. He lived for a time in the small Austrian town of Heiligenstadt, just outside Vienna. Here he wrote his Heiligenstadt Testament, which records his resolution to continue living for and through his art. Over time, his hearing loss became profound: there is a well-attested story that, at the end of the premiere of his Ninth Symphony, he had to be turned around to see the tumultuous applause of the audience; hearing nothing, he began to weep.^[9] Beethoven's hearing loss did not prevent his composing music, but it made concerts—lucrative sources of income—increasingly hard.

Beethoven used a special rod attached to the soundboard on a piano that he could bite—the vibrations would then transfer from the piano to his jaw to increase his perception of the sound. A large collection of his hearing aids such as special ear horns can be viewed at the Beethoven House Museum in Bonn, Germany. Despite his obvious distress, however, Czerny remarked that Beethoven could still hear speech and music normally until 1812.^[10] By 1814 however, Beethoven was almost totally deaf, and when a group of visitors saw him play a loud arpeggio or thundering bass notes at his piano remarking, "Ist es nicht schön?" (Isn't that beautiful?), they felt deep sympathy considering his courage and sense of humor.^[11]

As a result of Beethoven's hearing loss, a unique historical record has been preserved: his conversation books. His friends wrote in the book so that he could know what they were saying, and he then responded either verbally or in the book. The books contain discussions about music and other issues, and give insights into his thinking; they are a source for investigation into how he felt his music should be performed, and also his perception of his relationship to art. Unfortunately, 264 out of a total of 400 conversation books were destroyed (and others were altered) after Beethoven's death by Anton Schindler, in his attempt to paint an idealized picture of the composer.^[12]

Character

Beethoven's personal life was troubled. His encroaching deafness led him to contemplate suicide (documented in his Heiligenstadt Testament). Beethoven was often irascible and may have suffered from bipolar disorder^[13] and irritability brought on by chronic abdominal pain beginning in his 20s that has been attributed to his lead poisoning.^[14] Nevertheless, he had a close and devoted circle of friends all his life, thought to have been attracted by his reputed strength of personality. Towards the end of his life, Beethoven's friends competed in their efforts to help him cope with his incapacities.^[4]

Sources show Beethoven's disdain for authority, and for social rank. He stopped performing at the piano if the audience chatted among themselves, or afforded him less than their full attention. At soirées, he refused to perform if suddenly called upon to do so. Eventually, after many confrontations, the Archduke Rudolph decreed that the usual rules of court etiquette did not apply to Beethoven.^[4]

Romantic difficulties

The women who attracted Beethoven were unattainable because they were either married or aristocratic. Beethoven never married, although he was engaged to Giulietta Guiccardi. Her father was the main obstacle to their marriage. Giulietta's marriage to a nobleman was unhappy, and when it ended in 1822, she attempted unsuccessfully to return to Beethoven. His only other documented love affair with an identified woman began in 1805 with Josephine von Brunswick, young widow of the Graf von Deym. It is believed the relationship ended by 1807 because of Beethoven's indecisiveness and the disapproval of Josephine's aristocratic family.^[5]

In 1812, Beethoven wrote a long love letter to a woman he identified only as "Immortal Beloved". Several candidates have been suggested, including Antonie Brentano, but the identity of the woman to whom the letter was written has never been proven.

Custody struggle

On 15 November 1815 Beethoven's brother Karl van Beethoven died of tuberculosis leaving a son Karl, Beethoven's nephew. Although Beethoven had shown little interest in the boy up to this point, he now became totally obsessed with the possession of this nine year old child. The fight for custody of his nephew brought out the very worst aspects of Beethoven's character. In the lengthy court cases Beethoven stopped at nothing to ensure that he achieved this goal. At this time Beethoven stopped composing for long periods.

The Austrian court system had one court for the nobility, The R&I Landrechte, and another for commoners, The Civil Court of the Magistrate. Beethoven disguised the fact that the Dutch "van" in his name did not denote nobility as does the Germanic "von",^[15] and his case was tried in the Landrechte. Due to his influence with the court, he felt assured of a favorable outcome. Beethoven was awarded sole guardianship. Karl's mother, Johanna, a commoner and a widow with little money, was not only refused access to her son, except under exceptional circumstances, but Beethoven insisted that she pay for her son's education out of her inadequate pension. While giving evidence to the Landrechte, however, Beethoven inadvertently^[16] admitted that he was not nobly born. The case was transferred to the Magistracy on 18 December 1818, where he lost sole guardianship.

Beethoven appealed, and regained custody of Karl. Johanna's appeal for justice and human rights to the Emperor was not successful: the Emperor "washed his hands of the matter". Beethoven stopped at nothing to blacken both^[clarify] their characters, as can be read in surviving court papers. When Karl could stand his tyrannical uncle no longer, he attempted suicide on 31 July 1826 by shooting himself in the head. He survived, and later asked to be taken to his mother's house. This desperate action finally freed Karl from the bonds of Beethoven.

Illness and death

After Beethoven lost custody of his nephew, he went into a decline that led to his death on Monday 26 March 1827^[17] during a thunderstorm.

This was Romain Rolland's description of Beethoven’s final day:

"That day was tragic. There were heavy clouds in the sky… around 4 or 5 in the afternoon the murky clouds cast darkness in the entire room. Suddenly a terrible storm started, with blizzard and snow… thunder made the room shudder, illuminating it with the cursed reflection of lightning on snow. Beethoven opened his eyes and with a threatening gesture raised his right arm towards the sky with his fist clenched. The expression of his face was horrifying. His hand fell to the ground. His eyes closed. Beethoven was no more."

A Viennese pathologist and forensic expert Christian Reiter (head of the Department of Forensic Medicine at Vienna Medical University) claimed that Beethoven's physician, Andreas Wawruch, inadvertently hastened Beethoven's death. According to Reiter, Wawruch worsened Beethoven's already lead poisoned condition with lead poultices applied after repeated surgical draining of his bloated abdomen. Various theories attempt to explain how Beethoven's lead poisoning first developed, and he was very sick years before his death in 1827 at the age of 56.^[14] Reiter's hypothesis however is at odds with Wawruch's written instruction "that the wound was kept dry all the time". Furthermore human hair is a very bad biomarker for lead contamination and Reiter's hypothesis must be considered dubious, because of the lack of proper scholarly documentation in his article.^[18]

references

^ Beethoven was baptized on 17 December; his date of birth—usually given as 16 December —is not known with certainty, but is inferred from circumstantial evidence: this is explained in more detail below
^ Johann van BEETHOVEN, Tenorist an der kurfürstlichen Hofkapelle zu Bonn, geboren um 1740 in Bonn? (Religion: rk), gestorben am 18.12.1792 in Bonn, Sohn von Ludwig van BEETHOVEN (siehe IIb) und Maria Josepha BALL. Kirchliche Trauung am 12.11.1767 in Bonn, St. Remigius mit Maria Magdalena KEVERICH, 20 Jahre alt, geboren am 19.12.1746 in Ehrenbreitstein (Religion: rk), gestorben am 17.07.1787 in Bonn mit 40 Jahren. Schwindsucht, Tochter von Johann Heinrich KEVERICH, Kurfürstlich Trierscher Oberhofkoch, und Anna Clara WESTORFF. [1]
^ Well into adulthood, Beethoven believed he had been born in 1772, and told friends the 1770 baptism was of his older brother Ludwig Maria, who died in infancy; but Ludwig Maria's baptism is recorded as taking place in 1769. Some biographers assert that his father falsified his date of birth in an attempt to pass him off as a child prodigy like Wolfgang Amadeus Mozart, but this is disputed. Children of that era were usually baptized the day after birth, but there is no documentary evidence that this occurred in Beethoven's case. It is known that his family and his teacher Johann Albrechtsberger celebrated his birthday on 16 December. While the evidence supports the probability that 16 December 1770 as Beethoven's date of birth, this cannot be stated with certainty. This is discussed in depth in Solomon's biography, chapter 1.
^ ^a ^b ^c ^d ^e ^f Kerman and Tyson
^ ^a ^b H. C. Robbins Landon, Beethoven, Macmillan Company 1970
^ Jim Powell, "Ludwig van Beethoven's Joyous Affirmation of Human Freedom", The Freeman: Ideas on Liberty, December 1995 Vol. 45 No. 12
^ Milton Cross, David Ewen, The Milton Cross New Encyclopedia of the Great Composers and Their Music, Doubleday 1953 p79
^ JOSEPH KERMAN, ALAN TYSON (with SCOTTG. BURNHAM). "Ludvig van Beethoven:5. 1801–2: deafness", Grove Music Online, ed. L. Macy (accessed 29 November 2006), grovemusic.com (subscription access).
^ "Some Tributes to Beethoven in English Verse" — Felix White The Musical Times, Vol. 68, No. 1010 (1 April 1927) mentions this
^ http://www.jstor.org/pss/746569
^ An incident described in Maynard Solomon's biography.
^ Stanley, Glenn (2000). The Cambridge Companion to Beethoven. Cambridge University Press. ISBN 0521589347.

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Composer of the Week

Gustav Mahler (1860 - 1911)

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Gustav Mahler

RELATED COMPOSERS

Ludwig van Beethoven

Early life and talent

The move to Vienna

Loss of hearing

Character

Romantic difficulties

Custody struggle

Illness and death

references

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